Here in the WILA posts, I oscillate between picking out a single game mechanic and elaborating on its many design benefits, and highlighting a single theme or goal of a game’s design and picking out the design choices which serve that theme or goal in the game. For Dragon’s Crown, I’d like to do more of the latter and talk about how the game packs itself full of story (of the flavorful characters, locations and histories kind) without stopping the action.
But first, a generally non-controversial assertion: players like playing.
Dragon’s Crown is Vanillaware’s latest masterpiece, and I plan to lose myself in it for many hours. It is an Action Beat ‘em-up style game, self-described as ‘Swords, Dungeons, Sorcery, Dragons’ with ‘gamemaster-style storytelling’. From Vanillaware’s past work (Odin Sphere, Grim Grimoire, Muramasa) I know to expect a beautiful, solidly-designed game.
[Note from Destina: We’ve got a special guest writer this week – Florencia Minuzzi from teawithflo.com. She also happens to be my partner in a new game design venture. As a writer, I felt she was more qualified to step up and talk about today’s topic: creating resonance between the player and the main character of a narrative game. Nothing is really spoiled beyond the first few minutes of the game, but if you prefer to play knowing nothing, then you’ve been warned. I’ll leave the rest to her.]
Hey everybody, apologies for the break, but vacations happen from time to time. I’m back, so let’s get started. While on holiday, I blazed through Shin Megami Tensei IV. I had a few things in mind to write about it, but when I read Dyl’s post last week I knew it was a good opportunity to follow up on theme.
While discussing the post last week with my brother, I hit upon the argument multiple times that some of his comments reflect something about him personally, but are also signs that the mechanic as a whole is a bit broken. By ‘the mechanic’ I mean money acquisition and purchasing of resources in most RPGs, and by ‘broken’ I mean that it ultimately just wasn’t accomplishing much in the game to justify its use as a mechanic. I don’t think I’m alone in this assessment, but instead of dwelling on the reasons for this, I would rather spend my words here focusing on how I think Shin Megami Tensei IV quietly improved on the standard.
I’ve heard the line “You’ve got to live a little while you are still young” more than once in my life. I started thinking about this the other day and it occurred to me how my frugality is reflected in my habits when I play an RPG. Continue reading →
Late game dancing will go a lot further on the leaderboards than boogieing right out of the gates. Dancing at the end of the level, however, does not come quite as carefree as when you are two steps out of the starting block. Continue reading →